The Unarmed Child

The Unarmed Child by composer Michael Bussewitz-Quarm is a gorgeous, riveting, deeply moving and important work that is thoroughly accessible at the very first listening. Composed in response to gun violence against children, the work sensitively navigates this difficult, heart-wrenching subject with beautiful, poignant, healing words and music. Each movement deals with a different aspect of emotion in a uniquely expressive way. One cannot get through the experience without tears. But the vibrant final movement releases the audience and performers with an energized call to action that is infused with hope. - Dr. Diane Retallack, Artistic Director, Eugene Concert Choir.

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Gun Violence, Secular, Am. Prize Winner ☆, Ed.Choice JWP ☆ Michael Bussewitz-Quarm Gun Violence, Secular, Am. Prize Winner ☆, Ed.Choice JWP ☆ Michael Bussewitz-Quarm

Requiem (The Unarmed Child)

Part hip hopera, part choral, this work challenges the audience to listen to the families of the victims of gun violence. This is an impassioned plea to take a stand against not only gun violence, but to take a stand for under-represented communities who experience a disproportionate level of violence resulting from a variety of factors playing out in contemporary society. Extracted from the larger work "The Unarmed Child" this stand-alone third movement is for tenor soloist with a mixture of sung and rapped lines and dramatic choir reinforcement.

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The Radium Girl

Based on the tragic story of the "Radium Girls" - young women who were exposed to radium as part of their work in clock factories who eventually died from the exposure. This piece is intended to shine a light on these women and other people working in tragic conditions through the power of song. Unique overtone singing and interesting musical textures express the text in a creative way.

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Identity, Diversity, American History, Self-Expression, *New Michael Bussewitz-Quarm Identity, Diversity, American History, Self-Expression, *New Michael Bussewitz-Quarm

Hair (Where We Find Ourselves)

The second movement from Where We Find Ourselves, this piece is about the manipulation of hair and the conformity or nonconformity of following hair "rules." This selection is built on repetitive rhythms with some vocally percussive consonants that mimic the pushing and pulling of hair.

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